taojeff.com

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	<title>taojeff.com</title>
	<link>https://taoyinong.com</link>
	<description>taojeff.com</description>
	<pubDate>Sun, 22 Aug 2021 20:12:50 +0000</pubDate>
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		<title>About</title>
				
		<link>https://taoyinong.com/About-1</link>

		<pubDate>Fri, 20 Aug 2021 00:13:57 +0000</pubDate>

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Jeff Yinong Tao(cv) is a designer based in new york. He makes models, furnitures, buildings, images and videos. He received post-professional degree in master of architecture from Princeton University and B.Arch and BFA from Rhode Island School of Design.
︎: yinongtao[at]gmail[dot]com
︎ @taojiffy</description>
		
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		<title>01_treehouse</title>
				
		<link>https://taoyinong.com/01_treehouse</link>

		<pubDate>Thu, 01 Apr 2021 17:27:52 +0000</pubDate>

		<dc:creator>taojeff.com</dc:creator>

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01_Tree House &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Princeton Graduate Thesis &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Thesis Advisor: Erin BeslerThe graduate thesis speculates an alternatvie view to our current standard of using timbers.&#38;nbsp; A home shelter is envisioned using nonstandardized material with the economy of construction in mind. The final outcome tributes natue versus architecture and celebrates the coexistence versus antithesis. For complete website, visit tree.builders


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		<title>02_ObscureHouse#1</title>
				
		<link>https://taoyinong.com/02_ObscureHouse-1</link>

		<pubDate>Sat, 03 Apr 2021 01:26:39 +0000</pubDate>

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02_Obscure House#1 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Fall2020 Studio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Instructor: Stan Allen


A row of masculine and uniform facades are rigorous. The uniqueness of definition of a home that everyone possess is uniformalized. There is no need for imagination to neighbor’s interior, no desire to peek through second floor windows since we know there may be no difference. In constrast, an obscure uniformity is open-ended. It blurs the boundary of repetition and therefore, provokes an un-restrained imagination to the shadow underneath. A obscure house undertakes a risk of exposure that needs to be hidden


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		<title>02_ObscureHouse#2</title>
				
		<link>https://taoyinong.com/02_ObscureHouse-2</link>

		<pubDate>Sun, 22 Aug 2021 20:12:50 +0000</pubDate>

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02_Obscure House#2 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; Fall2020 Studio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Instructor: Stan Allen


The phase two design brings the typological cylindrical facade of ‘Washington Row‘ into consideration. Using the cylinder to act as a double facade that obscures the reading of interior, the obscure row house evolves within the typological variation of existing context yet provide a evasive iteration that’s different than any existed before. The obscure row house is sited in Washington DC.
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		<title>03_flatandtower</title>
				
		<link>https://taoyinong.com/03_flatandtower</link>

		<pubDate>Sat, 03 Apr 2021 01:26:56 +0000</pubDate>

		<dc:creator>taojeff.com</dc:creator>

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03_flat and tower&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Spring2021 Studio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Instructor: Adamo+Faiden
A complex is designed with the intention to become an infrastructural container that can be programmatically unstable but spatially specific for different reappropriations need. The organizational strategy split the lot into two equal halves: a single-story flat that can expand and regroup, and a irregular structual grid tower that allows a complexity of space division. Building’s corrugated acrylic skin reflects the verticality of local Gothic buildings, providing a evasive exterior for its inner program.
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		<title>04_weighted rooms</title>
				
		<link>https://taoyinong.com/04_weighted-rooms</link>

		<pubDate>Sat, 03 Apr 2021 00:31:24 +0000</pubDate>

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04_Weighted
	
 Room&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Undergraduate Thesis&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Advisor: Kyna Leski


_The thesis project investigates perception, both as a tool that measures space and as a defect that limits scope while intriguing the imagination. When we see a representational doorframe rather than seeing an opening in a wall, for instance, we perceive a suggestive enclosure instead of imagining a continuous space. The dialogue fluctuates between reading a fixed symbol and experiencing an impulse. 

_Descartes discussed vision as “an interception of information en route to perception, not the perception itself.” Similarly, Alberti indicated that “architectural drawing only gave an idea of dimensions of space, but not the sensation of it.” In both scenarios, the techniques of represented space fail to convey sensation on the page. 

_The thesis aims to position the architect as a spectator, at the same time as an actor, who constantly revises reality through design using fragments of memory from empirical experience. The thesis is a self-investigating process in which the ideas of perception and imagination have been carried through different media, materials, and methodologies.Excerpt from Portfolio:

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		<title>05_soft skyscraper</title>
				
		<link>https://taoyinong.com/05_soft-skyscraper</link>

		<pubDate>Thu, 01 Apr 2021 17:27:52 +0000</pubDate>

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05_soft skyscaper &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Spring2018 Studio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Instructor: Aaron Forrest
The project looks into the possibility of a highrise tower in wood that embraces the limitation of timber’s lengths. The building uses one single column-length to develop different structural grid on each floor. Modern skyscapers is a multiplication of generic typical plan(s). This design, on the contrary, negates an uniformal nor continuous structural columns. It declares a bipolar structural condition: 1/ a space-frame floor plan&#38;nbsp; and 2/ a clear-span floor plan, and it uses the reciprocity between two structural systems to sustain.


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		<title>06_Mercato</title>
				
		<link>https://taoyinong.com/06_Mercato</link>

		<pubDate>Thu, 01 Apr 2021 17:27:52 +0000</pubDate>

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06_Mercato&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Fall2016 Studio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Instructor: Emmanuel AdmassuThis five-story shopping mall in Addis Ababa examines the relationship between ongoing urbanization of site and resistance from local businesses. The design questions the “either/or” answer, seeking flexibility in infrastructural architecture that can both satisfying government’s regulation and vendors’ concerns. Let architecture be an ordering device, sorting complexities of the site into a loose organization, manifested through building structure.


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		<title>07_Fort</title>
				
		<link>https://taoyinong.com/07_Fort</link>

		<pubDate>Fri, 02 Apr 2021 22:12:06 +0000</pubDate>

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07_fort&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Spring2017 Studio&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Instructor: Yehuda Safran


The power of fiction lies in the intermingling of imagination and reality. Gilles Deleuze argues that difference is what constitutes all identities. When Frankenstein created his monster, for instance, the sense of alienation originated from how closely the monster resembled a human being rather than from how different he was.&#38;nbsp;


The project explores the material image as a generative process in the production of architectural abstraction. I used drawings and material models as media and discussed adjacency, convergence, and discreteness between the two media. This project seeks to position an architect as a paradoxical character: 

1. Architect as a storyteller of the site.

2. Architect as a conspirator with the site.

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	<item>
		<title>08 Mies in Timber</title>
				
		<link>https://taoyinong.com/08-Mies-in-Timber</link>

		<pubDate>Sat, 03 Apr 2021 01:27:16 +0000</pubDate>

		<dc:creator>taojeff.com</dc:creator>

		<guid isPermaLink="true">https://taoyinong.com/08-Mies-in-Timber</guid>

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07_mies in timber
When examining Mies’ use of the tectonic order in the Neue Nationalgalerie, one sees a subtle misalignment between the visual correlation of structural elements and the truth of structures. Mies displayed raw materials in a way that contributes to a holistic visual space. The interior of the Neue Nationalgalerie pavilion can be characterized as a 200’ x 200’ volume saturated with optical and ornamental modules.


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